Interview with Liu Tao, Lighting Director of Tibetan Mystery
The large-scale Tibetan original song and dance music "Tibetan Mystery" is a work of Yang Liping and Rong Zhonger. After several years of hard work, it is a large-scale pure Tibetan song and dance music that covers different styles of various Tibetan areas in China, and is the first in China. A song and dance poem that shows the Tibetan culture in a panoramic way: it is composed and spread on the road of a Tibetan old grandmother on the pilgrimage road; Tibetan songs, dances, instrumental music, large-scale Tibetan life, folk customs and The religious ritual scene is the main body of artistic expression, which completely reproduces the essence of Tibetan culture unique to Tibetan areas.
"Tibetan Mystery" is a new creation and development of China's original ecological stage art after Yang Liping's "Yunnan Image". This is not only a comprehensive display of the original ecology of the Tibetans. It is important to lead the audience to think about the essence of life in a rich religious atmosphere...
"Tibetan Mystery" breaks through the balanced layout of the previous stage art, and uses a large number of mobile, lifting and converting devices to make the traditional square activities and modern stage art perfectly combined; hundreds of lights and rich lights are used on the stage. The powerful visual impact is built up in time and space dislocation and visual dislocation; the injection of ethereal and solemn music also adds infinite charm to the Tibetan Mystery. The blurred colors, the changing and rich patterns make the stage of "Tibetan Mystery" as an infinite dream, and the momentum is magnificent.
How to use the sound and light to show the artistic charm of "Tibetan Mystery" is the subject that the Director of Sound and Light Technology of "Tibet" must face.
Just like "Why did Mei Lanfang choose Dawn?"
Our interview was conducted in a French Western restaurant, the lights are very warm, so it seems easier to communicate between people. Liu Tao, who is exhausted but has already done his homework, but the real manager of the Pearl River Lighting Marketing Department, an active and well-prepared editor, I know that this is destined to be an interesting afternoon.
On the edge of the restaurant is the Shenzhen Poly Theatre, which is known as the "Little Dome". Then the voice is naturally opened by the recent hot movie. Because the dawn looks like it, because the dawn is very hard, because the dawn is low... We are not Chen Kaige, so I may never know the real reason why he picked the dawn. But it doesn't matter - we can still explain why from our own perspective.
Therefore, although no one directly asked Liu: Why did the Tibetan Mystery choose Pearl River lighting? But for nearly five hours of interviews, everyone seems to have an answer.
The lights are also dancers
I said that "Tibetan Mystery" is very exciting. I always wanted to ask these audiences. Is the performance content attracting you, or is the sound and light effect shocking you? Like some Hollywood blockbusters, people often just look at those visual stunts and forget to think more and deeper.
So, we have been asking Director Liu, what role should music and lighting play in the whole performance? He said: "Sound and light are the soul of dance, but they also serve dance. Sound and light are the partners of dance, but they also exist independently."
This is known from the definition of a musical, which is a comprehensive performance that uses singing and dancing as the main means of artistic expression and combines music, stage art (clothing, set, lighting, props) to show certain drama content. form. Rich lighting can create time and space misalignment, resulting in powerful visual impact; make full use of the montage language of lighting, through the transformation of color and rhythm, the balance of light and shadow, create a combination of various visual logic, Render the atmosphere you want to express, stimulate the emotions you want to release, and create the mood you want to express.
Many people know that the biggest difference between the live version and the broadcast version is music and lighting, the picture with higher definition, and the higher the quality of fidelity. It can't replace a non-material, called feeling, that is the highest level of technology. Unable to generate.
Similarly, there is a feeling between the dancer and the light, like a dialogue, because the light is actually a dancer.
We are only half the level of Broadway
"There is not enough money, and the staff is not enough. Our entire team of lighting and sound is only 12 people. It really has no time, no energy, sorry, really a lot of regrets." Talking about the problems in the tour, Director Liu looked helpless. . "We also want to reach the technical level like Broadway! Absolutely immersed in the situation, Teacher Yang once said that the cucurbit silk seems to blow from the back of the head, that is a very high 呦! We feel the rain It’s really falling from the top of the head, and I’m really screaming at my feet, quite unforgettable, quite a wonderful experience.
Because of the product?
"I have great confidence in Chinese goods! The difference between our own and foreign countries is already very good."
Because of the operation?
"In fact, you really look for a group of 'airborne soldiers', but instead have problems, don't understand the play, don't understand the culture, and it's hard to understand what the director wants to express."
"To tell the truth, and products, and operations are still related. China's lighting manufacturers are really innovative, and the replacement is very fast. If there is any new technology in foreign countries, it will take a long time to master the products and launch the products on the hardware. , already fully equipped, the key is some human considerations, for example, they do not have a good understanding of the meaning of our users, like the computer lights, what kind of graphics we want, what effect we want, if we can do To 'tailoring clothes' is far more useful than what is 'how complete, how advanced technology is.' It is useful to come. Technology is people-oriented. To be honest, I don’t have much requirements for lights: one is speed, the light is clean; It is discoloration, white is white, blue is blue, color temperature is corrected accurately; third is jitter, which actually reflects the quality. Lighting, it should strengthen the enhanced function, because we want efficiency!
Chinese theaters need standards, and Chinese businesses lack quality services!
Following the previous topic, Director Liu complained that China really needs standards too much. Every time you visit a city, you have to redesign the layout of lighting and sound, because everyone's length, width and height are different, which directly leads to differences in audiovisual. .
Regarding standards, in fact, I am not the first to hear such criticism. It is not difficult to set standards. In China, it is difficult to implement standards, but I believe that China can find its own solution.
"Every time the lamp is disassembled and installed, it is a great test. However, the Pearl River lighting really did not disappoint me, providing us with maintenance all the way. That time in Hangzhou, 28 bulbs exploded together because of the power supply of the circuit system. I was really cold and cold for 5 hours. They arrived from Guangzhou and checked out the circuit problems in the theater. Soon all the repairs were completed. Really, the competition of the products on the products is very small now. Why did you choose this one? That family will depend a lot on their services."
At that time, I was thinking, when 28 lights exploded, it was estimated that the average person would not think about service but quality. If the quality is not good, what services are you talking about?
Unexpectedly, Director Liu took a breath and said: "The "Mystery" uses more than 70 sets of PR-2910, PR-2905, and PR-2970 of Zhujiang Lighting Series computer light products; this show has more than 70 national tours in 2007. The situation is different, but most of the time it still can withstand our 'hardships.' You don't know, Teacher Yang, that is notoriously strict, every time requires a full rehearsal, lighting, sound, press The official performance. 18 to 20 hours of uninterrupted rehearsal is a common practice. It is not easy to withstand the test of such lamps. That time on the way to Suzhou to Suzhou, it was really rainstorm, after the station, pull open the oil paper No one dared to turn on the light test, and finally pulled down the brakes. When the lights were on normally, we were really excited."
If there is enough capital, everyone wants to use the best products, but reality is reality, so we also learn not to choose the most expensive, only choose the most suitable.
Made in China, very good!
At the end of the performance, I was fortunate to have a brief interview with Teacher Yang.
Asking about the relationship between the stage and the lighting and sound, Mr. Yang’s answers and attitudes are quite straightforward: “The stage definitely needs lighting and sound.†Obviously, the dancers in the musicals are not only writhing on the limbs. They can complete the role, they can't do without the lights, they are eager for the lights, because they know that the lights make them three-dimensional, make them plump and make them shine.
During the performance, Teacher Yang’s solo dance was amazed by the lotus flower, and the giant lotus center was swaying out of the Tibetan goddess. The colorful clouds were rushing under her feet. The red light crossed the map, in the sky, The petals fall down, creating a beautiful and charming lotus world. The color changes rapidly. It is a kind of green. It can't help but make people feel that they have come to the kingdom of God. The light color is once again transitioning. It is a kind of yellow, such as The golden glory of the sun plunged down, it was completely shocked, and it was completely brought into the mythical story of the Tibetan.
So I really want to know how she sees the role of light in the lotus dance. "The red light makes me feel like I am in a lotus flower." Rendering an atmosphere that drives an emotion, the light has deeply affected the dancers.
I heard that this time the lamp is made in China, Teacher Yang did not hide her satisfaction with the product: "The domestic lamp is not inferior to the foreign one, and the service is easier in the later period. This time, the Pearl River lighting tour followed the crew and did its best. To complete the adjustment and repair work." When asked if there was any problem in the middle, the same direct, the same resolutely "no problem, no problem at all", which made the questioner face a little embarrassment.
end
The success of "Tibetan Mystery" is the success of Tibetan cultural communication, the success of Chinese original song and dance music, and the success of domestic lighting. However, we must admit that China's lighting art and technology are gradually maturing, and those companies that rely on COPY foreign production, foreign design, and foreign operations obviously have no future. To be a Chinese lamp, to be a Chinese lighting art and technology, through the perfect performance of the Pearl River lighting in the "Tibetan Mystery" performance, not only surprised us, but also let us see the hope of the development of Chinese stage lighting.
Edit: LC-HY
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